Movies: Ingmar Bergman

Federico Fellini was one of the most individual and thought provoking directors who based most of his films upon his own reflections, dreams, life events and fantasies, who did not convey any special message for humanity but regarded cinema simply as...

Per Olov Enquist's play about Selma Lagerlöf and Victor Sjöström after the shooting of The Phantom Carriage. Director Victor Sjöström has been shooting Selma Lagerlöf's novel The Phantom Carriage. He has invited the author to Stockholm to show her a ...

"A dream play" - This made-for-television film constituted Bergman’s first production of Strindberg’s A Dream Play – a play he would revisit three times more. Gunnar Ollén’s Malmö crew was behind this, for its time, prestigious and costly theatre pro...

The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaime...

Carl-Gustaf Nykvist's documentary about his father, Sven Nykvist. The film is based on Sven's memoirs with Sven himself as narrator. A journey to the place of birth, Moheda, constitutes the hub of the film and during the journey friends and memories ...

A relay race of "scenes from human life". Depicts the human characters inferior traits are spreading like a disease: the person who gets rejected / humiliated / oppressed takes it out on someone else....

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)...

The desolate and mysterious island of Fårö, Sweden, Baltic Sea, 2004. Swedish master filmmaker Ingmar Bergman (1918-2007) looks back on his personal and artistic life; a journey through more than sixty years devoted to film, plays and television prog...

Using original footage and interviews, family photos, and excepts from many of the actress's screen and stage performances, the film explores sources of Liv Ullman's creativity, the influence of her Norwegian heritage, her relationship with Ingmar Be...

A female dancer becomes famous but loses her relationship with her daughter on the way....

A theatre production of Yukio Mishima's play, filmed for Swedish television. It begins in France in 1772. Six Women, one of them Madame de Sade, discuss their views and feelings of the notorious sadist and sodomist Marquis de Sade....

This is the year when the Vietnam War ends and terrorists take over the West German embassy in Stockholm. On TV, Staffan Westerberg's "Vilse i Pannkakan" coincides with Ingmar Bergman's "The Magic Flute". Despite the cold war, the USA and the Soviet ...

Portrait of Ingmar Bergman made while he was working on The Touch. About the early years of the 70's in Ingmar Bergman's professional and private life....

The Making of Fanny and Alexander is a fascinating look at the creation of a masterpiece. Directed by Ingmar Bergman himself, this feature-length documentary chronicles the methods of one of cinema’s true luminaries as he labors to realize his crowni...

The film shows four women moving in a crowded, closed room to the music of Monteverdi. They represent women living by passing on a role that is passed down to them for generations. Two of the dancers are damned souls that come to life, the third is d...

Ingmar Bergman speaks with Gunnar Bergdahl....

Produced in 1968 for New York's WNET public television station and filmed by Gunnar Fischer, host Lewis Freedman visits director Ingmar Bergman during the production of SHAME. They discuss some of Bergman's major works leading up to SHAME as well as ...

Her name conjures up beauty, grace, talent and style. One of the greatest actresses of her time, she is best remembered for a natural and vulnerable persona which was so genuine and alluring. Her cinematic contributions produced such classics as "Cas...

One hour making-of of Bergman's In The Presence of A Clown....

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